Tuesday, March 1, 2011

The Partridge and the Pear

The Poem of the Partridge and the Pear


There are two words which shall go unmentioned

One is a species of fruit, and the other is some kind of bird.

We may talk about anything else, we may talk about boots

We may talk about glasses, bats, Sctochmen, and carbohydrates.

Sunday, February 6, 2011

From a Reading that Never Was

Four poems I was to read at a reading that was unfortunately cancelled. No sense in wasting verse, so, to the blog with it!

Thieves of Boredom

Thieves of Boredom! No, Not the Neighbourhood Roughs,
Not a Preferential Teenager, Plastered,
Aren't On the Run From The Cops...
Thieves of Boredom! Those, Friends,
Dire, French, Tasty, Pricking, Not Yet Overdone!
Thieves of What? Thieves of Recipes,
Thieves of Receipts, Contents, and Orderlies.

Spare A Moment! for them
Miserable! In Straights! Unfamiliar with SCIENCE!
Illiterate in Kennings Modern, Kennings of This Day and Age!
Spare a Moment for Them! Poor Thieves! Poor Scoundrels!
Is Boredom a Lost Art? The Free Press Asks! Ponto, Fetch the Paper Here!
Let Us Demand! Say the Art School Dropouts...
Are They Meek! Are They Sorry! Are They To Be forgiven!
~~~~~~~~~This Reader Thinks Not:
"To Whom It May concern,
This Very Morning, my Boredom was filched
plucked, capered off with, in a word, STOLEN.
Off the Kitchen Counter,
Out the Window
Down the Alley,
Into the Sweet Crisp Mother-EXPLETIVE air!
Just like THAT. How do you like it!
What am I supposed to do NOW?"

A Puppet's Plaint

a puppet play muggy to recall
(as with all good muggings of sensation)
but it started on a closed, sheltered vista
where a tree (handsome enough) lectured on pine needles
no good with masks
but the story was simple
woman desires to deadly serious effect
and some Nine Hells become casually manifest
in her face and her local dance
(dance a loose term for this ritualized jogging)
blues musicians (it had to be them)
whistled us off, meanwhile
into the roofbeams, sanded for depth.

The Ancient Loose Style

Centuries ago, this play was written
Called "out with the old..."
I am unsure who wrote it
But a monumental family
Must be responsible.

(The ancient loose style, they say
Was more irregular in China
Whereas the modern way
S'got rules. Or better,
The rules don't write themselves.)

Decades ago, a poet decided
"I'm done with this bunk."
It is said he was derided
By the folk, for his motto:
"Out with the old; and in the with the old."


Walt Whitman in Egypt

Walt Whitman in Egypt! This is the worst spin-off ever.
Chants Democratic in the land of High Priests,
Polytheism, Cat Lovers, Fool, Arab Cinema, Om Kalthoum and unmentioned,
The dynasties of asiatic autocracy?
How did I end up here? Did I follow Tin Tin?
Why do they chant my name? Who still bothers
Advice from an American spirit, a Democratic spirit?
Do they want to hear it? Whether they want to or not
I suppose I have to sing it. But it's been a while...Let the rough get used to Facebook and Twitter...
Ok here goes, in 140 character bursts! The spirit of a civil war, healthy,
Signs of life growing in an eternal desert...I, Walt Whitman, of Cairo the son,
With millions who shout, it's been done, but never here,
I too am ridden down by camels and horses,
That's a new one. I don't want to miss your Pyramids, your Sphinx, Suez,
But they're closed until you break with antiquity!
So shatter a few museum pieces, American archaeologists might get upset
But they don't realize, as I do, that democracy shatters, has its terrible twos, that they themselves loved to break things once...
And when, in generations, they see this shattered Dynastic sculpture
They will herald it as a revolutionary masterpiece.
You Arabs, servants to your one guide, and his prophet, and him only,
Weird as it may seem to us both, I, an American, am with you when you snap off the tether.

Friday, January 14, 2011

On the Crab

crab you're a new one
never been considered before
but it's neat how you toss your shell
i take it rebirth is pleasant
so you've been written about
on
so you've been painted
out of joint with other animals of your age
in conformity with the ways of outdoors
worth considering you
worth eating, the trouble
crab you're ever a new one a new one.

Thursday, December 30, 2010

How to Start a Year





undisturbed

the canary

(by Beethoven)


on his perch.

Friday, November 26, 2010

A little Rimbaud Blitzkrieg

Recovering from a wisdom tooth extraction. Rimbaud is appealing to a sick person:

LIGHTNING

Human works! it's an explosion that lightens my abyss from time to time.

"Nothing is vanity! To science, foward!" cries the modern Ecclesiastes, that is, everybody. And yet the corpses of the wicked and lazy fall on the hearts of others.... Ah! Quick, quick a little; there, beyond the night, future, eternal recompense...Shall we flee them? ...

-What can I do? I know work; and science is too slow. How prayer gallops and how light scolds I see well. It's too simple, and it is too hot; that happens to me. I have my duty, I will be proud in the way of the many, setting it aside.

My life is worn. Let's go! Let's pretend, laze about-what a pity! And we'll live in amusing ourselves, in dreaming monstrous loves and fantastic universes, in complaining and fighting about the appearances of the world, acrobat, mendicant, artist, bandit, - priest! On my hospital bed, the odour of incense hits me very strongly; guardian of sacred aromas, confessor, martyr... I recognize my dirt childhood education. And more!... Get on, my twenty years, if others will be twenty years...

No! No! now I revolt against that death! The work seems too light for my pride; my treachery to the world would be a torture too short. At the last moment, I'll attack to the left, right...

So, - oh ! - dear poor soul, eternity won't be lost for us!

Friday, November 19, 2010

Heeding the First Snows

As the frosty season comes upon us here in Canada, I thought I would make tribute to those first Norsemen who poked about in our great land, partially because I have been reading the new edition of Frans G. Bengtsson's The Long Ships. It is a good time of year to read the traditional sagas and Eddur (?) as well.

I offer then to the coming of the Forst Giants, 11 original dróttkvætt written to the best of my ability and following as closely as possible the original Norse rules. Unlike the verse of Norse narrative/legendary poetry (Eddic verse), dróttkvætt are notoriously difficult to compose. Called "lord's verse", these tricky poems were divised by the professional Skaldic poets of the Norse courts to praise the deeds of their chieftains.

Of all traditional formal poetic constraints, I think those of dróttkvætt are especially beneficial for poetic practice. It is tightly a structured alliterative verse. At the same time, line length is syllabic (6 per line). But also accentual (every line must end on a trochee). Furthermore, every odd line must contain an internal assonance and whereas every even line must have an internal full rhyme. Finally, it is short (4 couplets or 8 lines). All of traditional poesy wrapped in a virtuosic package!

Being forced to cram all of that into eight six-syllable lines is as fun and difficult a challenge as a modern poet could ask for. The structure forces you to make melopoetic lines. The short lines favour monosyllabic words, and a sparing use of articles. As for the sense...The original poems are full of kennings, inverted/convoluted word order, and fragmentary phrases. Not at all clear, but striking nonetheless. Add to this the double meaning of political faction and satire, and you have a stanza so dense it could anchor a longship

I did not attempt to broach terribly modern subjects here, as these were done in the spirit of experimentation, fun, and Nordic personae-ficiation (a la Browning and Pound). Enjoy!

i

scouring the grey stall-shelves
stand rakes of the breakfast
ever waiting whether
we might yield the war field
bare to yolk of blooding ;
breach in fight white armour
and sate the red word snake
songmaker who wrongs men.

ii

by this the bank's river
breaking the fir's armour
blood chiefs were thieves' children
of her charging fur tax
ages akin long since
armed out they drove routers
bequeathed gods the cough leaf
cunning the thunder stream.


iii

though holding to hearsay
hewn from songs of yawning
dark ages approach far
aping goals of oarsmen
prows grey, prim, and clouded,
pruning tunes of merchants,
ill fame in game flying,
for birds fit news: chirping.


iv

his lord is no hoarder
who gives to those living
but who our dead barter
breaks faith with wraithdom
sees hunters unheeded
harassing his castle
marsh doom out of darkness
delights the rite-breaker.

v

among the mace-lungers
my king is no cringer
fell blood eels swell feeding
fatten on attackers
of gold rings a giver
grace to the skald's racings
Aesir, heavy handed
help glory our warlord.

vi

abore the firm fortress
fight not with the pithy
men clamour for closeness
cunning and unsleeping
while guiles outlast weekends,
water is diverted,
who feed on the foolish
feast on the unseeing.

vii

the harsh crow's cawing
corrupts the suppertime,
brings each from their beakers
bothers the verse-men.
but worse in deep winter
rats' unceasing chatter,
who nibble by knook-ends
names of great statesmen.

viii

many grim hours grate me
grieving among reavers
in the sword dance standing
strewing lives in hewing
or long speeches bleating
loathsome to men's earlobes
but worse than all worries:
waiting to die nameless.

ix

the Aesir's drink sloppings
sputter through the hut's moat
when she, fair shield maid
shimmering with grimness
fell deeds to us foretells
for one of our number
before we are homebound
breaks his fast in Asgard.

x

she wards the tree shadow
shedding near her tearfuls
the winds blow in westward
where, pearl of the jarl's kin
for carrion caring
cut of the birds' feasting
the mound is, her man's crown
mortar of dark troll-folk.

xi

berserks sharing bear hides,
born eldest, of hell men
wildly in winter
were-beasts, mad in feasting
swaddled in thin skin cloth,
summer finds them unnerved
augured cold by Odin
eating fire and iron.

Thursday, November 4, 2010

And the telescope reports...

Wellsprings out of time. This is the core of poems in our age. Poems are insensitive to the needs of the time. Poems are about poems and nothing else. Poems are consistently problems. Poems are not stripteases. Poems are incapable of hitting the thing itself since the '60s. Poems are hard. Poems are elitist. Poems are vicious. Poems disdain novels. Poems are far from personal. Poems are hatred. Poems are unemotional. Poems are racial. Poems cause fights. Poems are not worth it. Poems are unnappealing. Poems are not assertive enough. Poems are a wide winter snowscape. Poems are not necessary. The well read do not need to read poems. Poems make prose redundant, but are not redudant before that. Poems have to confront men before they can be freed. Poems drink human blood in sacrifice. Poems are thick bark. Poems are an outdated salvation. One only needs a few poems. Poems discourage the wide for the deep. Poems come in chunks. Poems are not backed by the government. Poems are starving. Poems are worth overlooking. Poems are not lyrics. Poems are rarely printed. Poems try to fit in hard.